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Joseph Campbell

Joseph Campbell was an American author and mythologist whose work on comparative mythology influenced countless writers and artists. His most notable work is The Hero with a Thousand Faces (1949), in which he presents the idea of the "monomyth."

Born in New York in 1904, Joseph Campbell attended Columbia University, where he studied literature and mythology. He later earned a MA in medieval literature from the University of Paris and a doctorate in comparative literature from the University of Munich.

Campbell's fascination with mythology began when he discovered the works of Carl Jung and Sigmund Freud. Later he wrote many books on mythology, including The Hero with a Thousand Faces, a four-volume series, The Masks of God (1959–1968), Myths to Live By (1972), Transformations of Myth Through Time (1990), and others.

Also, a series of conversations between Campbell and journalist Bill Moyers, which was filmed for a television program PBS in 1988, became the book The Power of Myth. The dialogue explores the role of myth in human culture and how it can help people understand themselves and the world around them.

In addition to his academic work, Mr. Campbell was an accomplished speaker known for his engaging and inspiring lectures on mythology and spirituality.

The Star Wars creator George Lucas has acknowledged the impact of Joseph Campbell's work on his storytelling, particularly the idea of the hero's journey.

Joseph Campbell died at his home in Honolulu, Hawaii. He was 83 years old.

After his death, Campbell's colleagues and friends established The Joseph Campbell Foundation (JCF) in 1990. The JCF preserves and promotes the author's work and offers a variety of educational programs and resources for scholars, students, and the general public.
роки життя: 26 Березня 1904 – 31 Жовтня 1987

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The mythological hero, setting forth from his commonday hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion). Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero’s sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father creator (father atonement), his own divinization (apotheosis), or again—if the powers have remained unfriendly to him—his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world (elixir).
dekrцитує2 роки тому
Myth is but the penultimate; the ultimate is openness—that void, or being, beyond the categories 4—into which the mind must plunge alone and be dissolved.
dekrцитує2 роки тому
According to an Aztec version, each of the four elements-water, earth, air, and fire—terminates a period of the world: the eon of the waters ended in deluge, that of the earth with an earthquake, that of air with a wind, and the present eon will be destroyed by flame.
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