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Robert Dean Lurie

  • Roberto Garzaцитує2 роки тому
    The following year, French philosopher Michel Foucault died of the illness in Paris
  • Roberto Garzaцитує2 роки тому
    In the early ’80s, as a 22-year-old queer man living during the ­Reagan-Bush administration, I was afraid to get tested for HIV for fear of quarantine, the threat of internment camps, and having my basic civil rights stripped away
  • Roberto Garzaцитує2 роки тому
    Koop took the unprecedented step of mailing every household in America an information packet on the disease that advocated the use of condoms as the single best measure for avoiding infection
  • Roberto Garzaцитує2 роки тому
    Feeling Gravitys Pull” to the haunting central motif of “Life and How to Live It” (a riff which, to my ears, seems to have directly inspired Sonic Youth’s 1988 anthem “Teen Age Riot
  • Roberto Garzaцитує2 роки тому
    That is to say, after much effort, expenditure of treasure, and a brief, tantalizing glimpse of the desired utopia at gunpoint, the whole thing collapsed into violence, corruption, chaos, and intimidation
  • Roberto Garzaцитує2 роки тому
    This history would seem ripe for lyrical exploration, and yet, if there are any actual references to the Reconstruction era on Fables of the Reconstruction, they are deeply buried.
  • Roberto Garzaцитує2 роки тому
    Fables are not history, nor are they meant to represent all aspects of a culture
  • Roberto Garzaцитує2 роки тому
    The Black Book:

    Lost, all lost; the fruiting of green figs, apricots. Lost the grapes, black yellow, and dusky. Even the ones like pale nipples, delicately freckled and melodious, are forgotten in this morning, where our one reality is the Levantine wind, musty with the smell of Arabia, stirring the bay into a muddy broth. This is the winter of our discontent
  • Roberto Garzaцитує2 роки тому
    the ideal entry point into the R.E.M. catalog for someone new to the band
  • Roberto Garzaцитує2 роки тому
    neither party had any interest in synthesizers, gated reverb, or any of the other production gimmicks that were then in vogue
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