A rediscovered classic of American nature writing: the poetic account of a solitary year observing the wild beauty of Cape Cod

With an introduction by Philip Hoare

A fragment of land in open ocean, the outermost beach of Cape Cod lies battered by winds and waves. It was here that the writer-naturalist Henry Beston spent a year in a tiny, two-roomed wooden house built on a solitary dune, writing his rapturous account of the changing seasons amid a vast, bright world of sea, sand and sky.

Transforming the natural world into something mysterious, elemental and transcendent, Beston describes soaring clouds of migrating birds and butterflies; the primal sounds of the booming sea; luminous plankton washed ashore like stardust; the long-buried, blackened skeleton of an ancient shipwreck rising from the dunes during a winter storm; a single eagle in the endless blue.

With its rhythmic, incantatory language and its heightened sensory power, The Outermost House is an American classic that changed writing about the wild: a hymn to ancient, eternal patterns of life and creation.

Henry Beston (1888–1968) was born in Quincy, Massachusetts and educated at Harvard. He wrote many books in his lifetime, including a memoir of his years in the volunteer ambulance corps in the First World War, an account of life in the US Navy and a book of fairy tales. The Outermost House, widely considered his masterpiece, was published in 1928. His Cape Cod house was named a National Literary Landmark in 1964, and it was destroyed by a huge winter storm in 1978.

Henry Beston

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