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John Fowles
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John Fowles

John Robert Fowles was born in Leigh-on-Sea, a small town located about 40 miles from London in the county of Essex, England. He recalls the English suburban culture of the 1930s as oppressively conformist and his family life as intensely conventional. Of his childhood, Fowles says "I have tried to escape ever since."Fowles attended Bedford School, a large boarding school designed to prepare boys for university, from ages 13 to 18. After briefly attending the University of Edinburgh, Fowles began compulsory military service in 1945 with training at Dartmoor, where he spent the next two years. World War II ended shortly after his training began so Fowles never came near combat, and by 1947 he had decided that the military life was not for him.Fowles then spent four years at Oxford, where he discovered the writings of the French existentialists. In particular he admired Albert Camus and Jean-Paul Sartre, whose writings corresponded with his own ideas about conformity and the will of the individual. He received a degree in French in 1950 and began to consider a career as a writer.Several teaching jobs followed: a year lecturing in English literature at the University of Poitiers, France; two years teaching English at Anargyrios College on the Greek island of Spetsai; and finally, between 1954 and 1963, teaching English at St. Godric's College in London, where he ultimately served as the department head.The time spent in Greece was of great importance to Fowles. During his tenure on the island he began to write poetry and to overcome a long-time repression about writing. Between 1952 and 1960 he wrote several novels but offered none to a publisher, considering them all incomplete in some way and too lengthy.In late 1960 Fowles completed the first draft of The Collector in just four weeks. He continued to revise it until the summer of 1962, when he submitted it to a publisher; it appeared in the spring of 1963 and was an immediate best-seller. The critical acclaim and commercial success of the book allowed Fowles to devote all of his time to writing.The Aristos, a collection of philosophical thoughts and musings on art, human nature and other subjects, appeared the following year. Then in 1965, The Magus — drafts of which Fowles had been working on for over a decade — was published. AThe most commercially successful of Fowles' novels, The French Lieutenant's Woman, appeared in 1969. It resembles a Victorian novel in structure and detail, while pushing the traditional boundaries of narrative in a very modern manner. In the 1970s Fowles worked on a variety of literary projects--including a series of essays on nature--and in 1973 he published a collection of poetry, Poems. Daniel Martin, a long and somewhat autobiographical novel spanning over 40 years in the life of a screenwriter, appeared in 1977, along with a revised version of The Magus. These were followed by Mantissa (1982), a fable about a novelist's struggle with his muse; and A Maggot (1985), an 18th century mystery which combines science fiction and history.In addition to The Aristos, Fowles has written a variety of non-fiction pieces including many essays, reviews, and forwards/afterwords to other writers' novels. He has also written the text for several photographic compilations.Since 1968, Fowles lived on the southern coast of England in the small harbor town of Lyme Regis. His interest in the town's local history resulted in his appointment as curator of the Lyme Regis Museum in 1979, a position he filled for a decade.Wormholes, a book of essays, was published in May 1998. The first comprehensive biography on Fowles, John Fowles: A Life in Two Worlds, was published in 2004, and the first volume of his journals appeared the same year (followed recently by volume two).John Fowles died on November 5, 2005 after a long illness.
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роки життя: 31 Березня 1926 5 Листопада 2005

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Svetlana Begunovaцитує2 роки тому
He said, one has to learn that painting well—in the academic and technical sense—comes right at the bottom of the list. I mean, you’ve got that ability. So have thousands. But the thing I look for isn’t here. It just isn’t here.
Svetlana Begunovaцитує2 роки тому
. But however good you get at translating personality into line or paint it’s no go if your personality isn’t worth translating
Svetlana Begunovaцитує2 роки тому
He came and stood beside me and picked out one of the new abstracts I’d done at home. You’re saying something here about Nicholson or Pasmore. Not about yourself. You’re using a camera. Just as trompe-l’oeil is mischannelled photography, so is painting in someone else’s style. You’re photographing here. That’s all.

Потом Миранда ополчается на фотографию в разговоре с Клеггом. Она как будто становится на место G.P., а Клегга ставит на место себя прошлой.

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    John Fowles
    The Collector
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