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Jonathan Franzen

The Corrections

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From the author of ‘Freedom’, a richly realistic and darkly hilarious masterpiece about a family breakdown in an age of easy fixes.
After fifty years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately her husband, Alfred, is losing his sanity, and their children have long since fled for the catastrophes of their own lives. As Alfred’s condition worsens and the Lamberts are forced to face their secrets and failures, Enid sets her heart on one last family Christmas.
Bringing the old world of civic virtue and sexual inhibition into violent collision with the era of hands-off parenting, do-it-yourself mental healthcare and globalised greed, ‘The Corrections’ confirms Jonathan Franzen as one of the most brilliant interpreters of the American soul.
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Дата публікації оригіналу
2010

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    Eugene Kiділиться враженнямторік
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    Обожаю Фрейзена. Роман в стиле Свобода, многие моменты пересекаются с моментами моей собственной семьи, что удивительно, учитывая, что речь о 50—80 годах и разных культурах. Отличное описание психологических типажей, характеров, ситуаций. Читается легко и интересно.

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Цитати

    Darya Bukhtoyarovaцитує3 роки тому
    He’d never seen Melissa really angry. “I love myself,” she said. “What’s wrong with that?”
    He was unable to say what was wrong with it. He was unable to say what was wrong with anything about Melissa—her self-adoring parents, her theatricality and confidence, her infatuation with capitalism, her lack of good friends her own age. The feeling he’d had on the last day of Consuming Narratives, the feeling that he was mistaken about everything, that there was nothing wrong with the world and nothing wrong with being happy in it, that the problem was his and his alone, returned with such force that he had to sit down on the bed.
    Darya Bukhtoyarovaцитує3 роки тому
    I’m saying the structure of the entire culture is flawed,” Chip said. “I’m saying the bureaucracy has arrogated the right to define certain states of mind as ‘diseased.’ A lack of desire to spend money becomes a symptom of disease that requires expensive medication. Which medication then destroys the libido, in other words destroys the appetite for the one pleasure in life that’s free, which means the person has to spend even more money on compensatory pleasures. The very definition of mental ‘health’ is the ability to participate in the consumer economy. When you buy into therapy, you’re buying into buying. And I’m saying that I personally am losing the battle with a commercialized, medicalized, totalitarian modernity right this instant.”
    garnikprцитує5 років тому
    “What’s wrong with making a living?” Melissa said. “Why is it inherently evil to make money?”
    “Baudrillard might argue,” Chip said, “that the evil of a campaign like ‘You Go, Girl’ consists in the detachment of the signifier from the signified. That a woman weeping no longer just signifies sadness. It now also signifies: ‘Desire office equipment.’ It signifies: ‘Our bosses care about us deeply.’”
    The wall clock showed two-thirty. Chip paused and waited for the bell to ring and the semester to end.
    “Excuse me,” Melissa said, “but that is just such bullshit.”
    “What is bullshit?” Chip said.
    “This whole class,” she said. “It’s just bullshit every week. It’s one critic after another wringing their hands about the state of criticism. Nobody can ever quite say what’s wrong exactly. But they all know it’s evil. They all know ‘corporate’ is a dirty word. And if somebody’s having fun or getting rich—disgusting! Evil! And it’s always the death of this and the death of that. And people who think they’re free aren’t ‘really’ free. And people who think they’re happy aren’t ‘really’ happy. And it’s impossible to radically critique society anymore, although what’s so radically wrong with society that we need such a radical critique, nobody can say exactly. It is so typical and perfect that you hate those ads!” she said to Chip as, throughout Wroth Hall, bells finally rang. “Here things are getting better and better for women and people of color, and gay men and lesbians, more and more integrated and open, and all you can think about is some stupid, lame problem with signifiers and signifieds. Like, the only way you can make something bad out of an ad that’s great for women—which you have to do, because there

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