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Robert Dean Lurie

Begin the Begin

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Robert Dean Lurie’s biography is the first completely researched and written since R.E.M. disbanded in 2011. It offers by far the most detailed account of their

formative years—the early lives of the band members, their first encounters with one another, their legendary debut show, touring out of the back of a van, initial recordings, their shrewdly paced rise to fame.

The people and places of ‘the South’ are crucial to the R.E.M. story in ways much more complex and interesting than have been presented thus far, says Lurie, who explores the myriad ways in which the band’s adopted hometown of Athens, Georgia, and the South in general, have shaped its members and the character and style of their art.

The South is more than the background to this story; it plays a major role: the creative ferment that erupted in Athens and gripped many of its young inhabitants in the late 70s and early 80s drew on regional traditions of outsider art and general cultural out-thereness, and gave rise to a free-spirited music scene that produced the B-52’s and Pylon, and laid the ground for R.E.M.’s subsequent breakout success.

Lurie has tracked down and interviewed numerous figures in the band’s history who were under-represented in or even absent from earlier biographies, and they contribute previously undocumented stories as well as casting a fresh light on the familiar narrative.
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444 паперові сторінки
Дата публікації оригіналу
2019
Рік виходу видання
2019
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  • Roberto Garzaцитує2 роки тому
    What 18-year-old has any interest in living in the past? Even those students who are actually R.E.M. fans—and there are fewer and fewer among the college-age set nowadays—quickly get caught up in the experience of living and loving in the now, growing into themselves.
  • Roberto Garzaцитує2 роки тому
    It was likely the combination of such shrewd business decisions with their consistently high-quality output that enabled R.E.M. to vault into the American mainstream at the close of the 1980s
  • Roberto Garzaцитує2 роки тому
    Warner Bros. offered R.E.M. an appropriately artist-friendly deal. The band would have complete artistic control over its output—not just over the music itself, but also the album artwork, videos, and selection of singles. As with the previous deal with I.R.S., the Warner agreement was for five albums, which R.E.M. would deliver to the label completed and ready to go.
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