What happens when we think of poetry as a global literary form, while also thinking the global in poetic terms? Forms of a World shows how the innovations of contemporary poetics have been forged against a backdrop of globalization. Creatively intervening against the changes wrought by neoliberalism before they are made fully present, contemporary poets have remade the formal repertoire. In experimental reinventions of the ballad, the prospect poem, and the ode, Hunter excavates a new, globalized interpretation of the ethical and political relevance of forms.
