Red Hen Press

Red Hen Press
75Книжок95Підписників
Red Hen Press, one of the few literary presses in the Los Angeles area, was founded in 1994 by Kate Gale and Mark E. Cull with the intention of keeping creative literature alive. Our focus as a literary press is to publish poetry, literary fiction, and nonfiction.
    Red Hen Pressдодав книжку на полицюRed Hen Press4 дні тому
    Abracadabra, Sunshine is a series of ever-turning letters written to lovers, friends, and family as a testament to human perseverance and to art-making as a continuous defiance against the often overwhelming complexities and hardships of existence. Darting from the Czech Republic to the Andromeda Galaxy, from the films of Godard to the tales of the Brothers Grimm and the Terracotta Army of Qin Shi Huang, these poems foreground our animal need for love and connection against the background of our historical obsession with destruction. By turns dour and deeply hopeful, Booth’s poems extol the communal and healing powers of vulnerability and love.
  • Red Hen Pressдодав книжку на полицюRed Hen Press25 днів тому
    From the edge of a singularity and across desert roads at night, A Camera Obscura teleports its readers through deep space nebulae and the constructs of cityscapes to arrive at what it means to “see.” Lovers embrace in sonnets and meditations move through artworks and Hubble Telescope images as these poems employ ekphrastic visions to balance the profound displacements in the most mundane aspects of our lives with science, fact, faith, and song. In the ceremonial blades of Aztec sacrifice and the anonymity of undocumented lives, these poems accrete into a solar system of images seen true, seen askance, seen in error, seen entire. A Camera Obscura is the dark room of the imagination where sīgnum—the sign, the act—becomes the tangible testaments of living.
  • Red Hen Pressдодав книжку на полицюRed Hen Pressминулого місяця
    American Quasar is a visual-textual collaboration between poet David Campos and artist Maceo Montoya. What began as an exploration of the precipice of violence evolved into an excavation of self, a deep meditation on how country, family, and trauma affect the ability to love. The images and words build a poetic space where the body is understood in both physical and celestial terms, giving a spiritual dimension to the collection's larger claim that the political is personal.
  • Red Hen Pressдодав книжку на полицюRed Hen Press2 місяці тому
    Described by Publishers Weekly as Cooley's “sharp latest”, “Cooley has a sure hand in probing the intersection of artistic ambition and money. This hopeful take is sure to move readers.”

    In Brooklyn, New York, in 2005, Ellen Portinari buys a lottery ticket on a whim; not long after, she realizes she’s won a hundred-million-dollar jackpot. With a month to redeem the ticket, she tells no one but her alcoholic brother—a talented composer whose girlfriend has died in a terrorist attack abroad—about her preposterous good luck.As the clock ticks, Ellen caroms from incredulity to giddiness to dread as she tries to reckon with the potential consequences of her win. She becomes unexpectedly involved with a man and boy she’s met at her local gym. While she grapples with the burden of secret-keeping and the tug of a new intimacy, a Brooklyn street artist named Blair Talpa is contending with her own challenges: a missing brother, an urge to make art that will “derange orbits,” and a lack of money.En route to redeem the lottery ticket, Ellen finds her prospects entwining by chance with Blair’s—which allows Ellen to reimagine luck’s relation to loss, and the reader to revel in surprise.
  • Martha Cooley
    Buy Me Love
    • 24
    • 1
    • 3
    en
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  • Red Hen Pressдодав книжку на полицюRed Hen Pressминулого місяця
    Happily married, backed by a powerful mentor, and with career prospects that would take him abroad, Serguey has more than any young Cuban lawyer could ask for. But when his estranged brother Victor appears with news that their father—famed theater director Felipe Blanco—has been detained for what he suspects are political reasons, Serguey’s privileged life is suddenly shaken.A return to his childhood home in Havana’s decaying suburbs—a place filled with art, politics, and the remnants of a dissolving family—reconnects Serguey with his troubled past. He learns of an elusive dramaturge’s link to Felipe, a man who could be key to his father’s release. With the help of a social media activist and his wife’s ties with the Catholic Church, Serguey sets out to unlock the mystery of Felipe’s arrest and, in the process, is forced to confront the reasons for the hostility between him and Victor: two violent childhood episodes that scarred them in unforgettable ways. On the verge of imprisonment, Serguey realizes he must make a decision regarding not just his father, but his family and his own future, a decision which, under the harsh shadow of a communist state, he cannot afford to regret.
  • Red Hen Pressдодав книжку на полицюRed Hen Press2 місяці тому
    Original Grace is the last book in the Snake Quartet. In it, the journey from destruction leads through the darkened rooms of an enormous house where occasionally outside the windows creatures past, present, and future appear—asking for help or solace or trying to break the glass to get in. But the house is made of poetry and is unassailable unlike those who live in it.By this time, Snake has undergone the transformations from sole survivor into the mythic voice of the collective with all their throats open and in full song. She has undergone the movement from original gender into all genders. The rough linguistic artifacts left from the first book—the dialects and fogginess she experienced living both in and out of a dream—slowly become more coherent as she learns to filter the collective voices back into her personal speech. Original Grace is not just the end of what was but the beginning of what comes next. The sun has gone down. The long wait for a new sunrise is nearly over.
  • Gary Lemons
    Snake IV
    • 1
    en
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  • Red Hen Pressдодав книжку на полицюRed Hen Press2 місяці тому
    Touching Creatures, Touching Spirit illustrates with true stories that we live in an interactive, aware world in which the creatures around us in our neighborhoods know us and sometimes reach across to us, empathically and helpfully. Implications are that all beings live in a possible “common mind” from which our mass culture has disconnected, but which is only a heartbeat and some concentrated attention away. This mind encompasses microbial life and insects as well as creatures and extends to nonmaterial intelligence as well—that is to say, spirit.Creatures as varied as a collaborating dragonfly, ants rescuing each other, a sympathetic lizard, an empathic coyote, gift-giving squirrels, crazed birds, and lots of very mysteriously smart cats inhabit the stories.Precognition, dreams, paranormal experiences with birds, psychic communications with cats, visitations from ghosts with messages, rolling earth spirits—not supernatural, they seem natural enough but not visible to everyone.The intention of this book is to help people catch interactions they themselves experience with nonhuman and even disembodied beings, and who could use some support for recalling since these interactions make clear we live in a sentient world.
  • Red Hen Pressдодав книжку на полицюRed Hen Press2 місяці тому
    In a polygamist commune in the desert, a fourteen-year-old boy and a twelve-year-old girl fall in love and consummate that love, breaking religious law. They are caught, and a year later, she gives birth to his father’s child while the boy commits murder four hundred miles away—a crime that will slowly unravel the community.Told by eight adolescent narrators, this is a story of how people use faith to justify cruelty, and how redemption can come from unexpected places. Though seemingly powerless in the face of their fundamentalist religion, these “strange children” shift into the central framework of their world as they come of age.
  • Red Hen Pressдодав книжку на полицюRed Hen Press3 місяці тому
    What happens when a Midwestern girl migrates to a haunted Southern town, whose river is a graveyard, whose streets bear the names of Southern slave owners? How can she build a home where Confederate symbols strategically stand in the center of town? Can she sage the chilling truths of her ancestors? What will she do to cope with the traumatizing ghostliness of the present-day South?
    Ghost in a Black Girl’s Throat is a heart-wrenching reconciliation and confrontation of the living, breathing ghosts that awaken Black women each day. This debut poetry collection summons multiple hauntings—ghosts of matriarchs that came before, those that were slain, and those that continue to speak to us, but also those horrors women of color strive to put to rest. Ghost in a Black Girl’s Throat examines the haunting feeling of facing past demons while grappling with sexism, racism, and bigotry. They are all present: ancestral ghosts, societal ghosts, and spiritual, internal hauntings. This book calls out for women to speak their truth in hopes of settling the ghosts or at least being at peace with them.
  • Red Hen Pressдодав книжку на полицюRed Hen Press4 місяці тому
    The five sections in Kim Stafford’s Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker’s spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like “Practicing the Complex Yes” and “The Fact of Forgiveness” engineer tools for connection with the self, the community, and the Earth: “It is a given you have failed . . . [but] the world can’t keep its treasures from you.” For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far places—to Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.
  • Red Hen Pressдодав книжку на полицюRed Hen Press4 місяці тому
    A Gypsy’s Book of Revelation is a collection of stories with an astonishing range of styles and subject matters. A woman visits her cremation from inside the body of her dead self, a competitive couple trains as free-divers, a mother leaves her son behind on top of a mountain, a very pregnant woman experiences a peculiar relationship with a priest-to-be: these stories are full of surprising experimentation that strikes a deeply compelling balance between the real and the bizarre. Embodying unusual premises and worlds, these stories are also fearlessly nontraditional in their structure and approach. These voices haunt, tease, and dare while never providing fully fledged answers. Each story is its own unique thing, a small but profound nod to the human condition.
  • Red Hen Pressдодав книжку на полицюRed Hen Press4 місяці тому
    How to Feed a Horse is a manuscript in three parts: One, “Ranch Poems,” activities, contemplations, awareness of the creek environment. Two, “Numerology,” disparate poems that invite us to consider the absurd in our language, politics, history, and human relationships. Three, “Her(e),” conversations with a network of women, some imagined, some historic, some intimate. The author’s preoccupations with climate change and our deteriorating planetary environment surface as she gives herself over to be witness to the landscape, its decline and perseverance, its glory and rich legacy. The poems are also love poems; they show the ecstasy and shock of the now.
  • Red Hen Pressдодав книжку на полицюRed Hen Press4 місяці тому
    GONE TO EARTH brings to light, late in the long, distinguished career of poet Eleanor Wilner, her early uncollected poems—an unveiling of the first stages of a vital, imaginative process, in whose evocative, imagistic landscapes is enacted a drama of emergence from entrapment. In the often-painful drama of new birth, from the deadly strictures and oppressions of the older social forms, come the living forces undermining them—new life seeded out of a decaying order: “a wet nose / breaks the earth, and sniffs the river air.” Written during the poet’s immersion in the civil rights movement and the protests against the Vietnam War, an inner liberating struggle is tuned to a collective channel where communal memory and vision are undergoing transformation.
  • Red Hen Pressдодав книжку на полицюRed Hen Press4 місяці тому
    Lexicon is a worthy successor to Allison Joseph’s award-winning breakthrough, Confessions of a Barefaced Woman. This time around, this self-professed “barefaced woman” is setting her sighs/sights on language and what it does for and with and to her. Joseph loves language, making it her slippery passion in poems about childhood griefs and fashion faux pas, movie musicals and empty airports, “rules” for writing and rules for reading. Though Joseph loves language, it doesn’t always love her back—but in her wise, readable, and imaginative way, she persists while documenting the minefields of racism and sexism. Joseph finds joy in the most unlikely of places, and in Lexicon, her adoration for the written word lets us see those places in sharp and evocative relief. All hail this bounty, this Lexicon!
  • Allison Joseph
    Lexicon
    • 19
    • 3
    en
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  • Red Hen Pressдодав книжку на полицюRed Hen Press5 місяців тому
    In this bold debut collection, Nikki Moustaki explores femininity in contexts that grapple with violence, mental illness, loss, love, and relationships. She investigates these themes through a variety of provocative narratives, settings, and forms: from a prose poem about a gun shop owner ranting about the Second Amendment, to more intimate lyrical poems, to the intense stamina of three long poems that anchor the book in three striking and imaginative settings—the disintegration of an abusive relationship in a backdrop of often-surreally connected narratives; diary-like entries featuring three generations of superstitious women living without men in a strange world of their own creation; and a dressmaker trying to make sense of his changing world while dealing with his ill wife. This nuanced work is intense and articulate, crafted largely by shattering traditional poetic elements, creating new forms, and driving language that never surrenders.
  • Red Hen Pressдодав книжку на полицюRed Hen Press6 місяців тому
    Attic boxes full of shards. Family stories full of secrets. A grandchild wondering what to save and what to throw away seeks to make sense of what it means to inherit anything at all. In The Forage House, the speaker unravels a rich and troubling history. Some of her ancestors were the Randolph Jeffersons, one of Virginia’s most prominent slaveholding families. Some were New England missionaries. Some were dirt-poor Appalachians. And one was the brilliant, controversial Thomas Jefferson. Shuttling between legend and story, history and family tale, these poems visit cluttered attics, torn wills, and marked and unmarked graves. Working alongside historians and archaeologists, Taylor unearths buttons, pipes, and the accidental rubble of a busy state building its new freeway. Based in years of research and travel, these poems form a kind of lyric journalism, collaged from tantalizing fragments. Moving between past and present, East and West, they reveal an uneasy genealogist struggling with ambiguous legacies. The poems ask how fragments exert force now. They dance between inheritance and loss, reimagining \u201cilluminating lies.\u201d In their hunger to assemble and remember, they also forge a new record of struggle and love: \u201chow much I wish for will not be recorded.\u201d
  • Red Hen Pressдодав книжку на полицюRed Hen Press8 місяців тому
    As a small child, Josiah believed that his father’s absence could be explained by the simple fact that he was a high ranking alien official on the planet Parnuckle. It explained so much else, too, like why Josiah should eat nothing but chocolate (Parnucklians eat nothing but chocolate), and why he should be proud of and idolize his father, the Keymaster of Gozer, even though they’d never met.But as time goes on and the gaps in this mythology widen, Josiah is faced with two possibilities: either it’s all very real or it’s all very pretend. This betrayal comes into sharper focus when, three weeks before his sixteenth birthday, Josiah is released back into his mother’s care after two years in a group home. His mother is about to marry Johnson Davis, and when Josiah, his mother, Johnson Davis, and his daughter Bree Davis—a prematurely mature girl with her own history of parental betrayal—attempt to live together as an all-American nuclear family, the myths underpinning all of their lives come chaotically and absurdly unspooled.This startling, stylish, hilarious debut novel explores what it means to grow up an alien in your own family and your own life. It’s a story about the secret, solitary lives of kids held hostage by the caprices of their caretakers. In Parnucklian for Chocolate, B.H. James has taken the alien heart of family life and made it recognizable and relatable to all—extraterrestrial or otherwise.
  • Red Hen Pressдодав книжку на полицюRed Hen Press9 місяців тому
    Struggle and triumph in a remote, desolate and hauntingly beautiful valley in northern New Mexico during the desperate years of the 1930's: Written with such clarity and detail that the reader is transported to the cattle drive, the dust storms, snow storms, and flash floods, feeling the cold of the high mesas, and sharing in the hopes, dreams, and passions of the people.
  • Red Hen Pressдодав книжку на полицюRed Hen Press9 місяців тому
    Illuminating Fiction contains nineteen interviews with fiction-writing luminaries including Edward P. Jones, Julia Glass, Amy Bloom, Jill McCorkle, Margot Livesy, Ron Carlson and Steve Almond.  The interviews contain questions about narrative, voice, character, place, point of view, arc of the story/novel plot, and revision; questions about the writing process; questions about the trajectory of the writer’s career; questions about the role and importance of writing courses and mentoring; and also questions that Ellis has drawn from the text of the authors’ work.  Authors describe the challenges they have faced.  The reader is able to gain an intimate and specific understanding of the authors works, and the authors thought process as they created their novels and short stories.
  • Red Hen Pressдодав книжку на полицюRed Hen Press9 місяців тому
    Genevieve Kaplan’s In the ice house offers an innovative meditation on domestic life and the physical world that surrounds it, chronicling “at least the beginnings of some disaster” taking place in a landscape that “had no symmetry.” Deftly channeling poets like Wallace Stevens and John Ashbery, as well as invoking Kaplan’s own distinct poetic sensibility, these poems reveal an atmospheric and wondrous world filled with odd and compelling images. Readers confront the menace of the ordinary, “the whale-faced spout of the drainpipe, the cluck / of the chicken-bird” and how “the light attacks / the window and the stress of the shining / does not ease.” The poet’s insistent evocation of elemental images—the birds, the ice, the water—becomes almost incantatory, as the speaker seeks escape from “the frantic outside” she’s trapped within. Kaplan’s sky “has the depth / of an ocean,” and this book deeply articulates how “silence is the only word that can replace loss.” Moving artfully between internal desires and incisive observations of the external, these stunning poems radiate with both heat and ice.
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